Above, the famous 'Kusama pumpkins' can be viewed in her work called All the Eternal Love I Have for the Pumpkins. You aren't allowed to take photos while inside the room, but you can when outside the door looking in. You will also be escorted inside with a member of staff. This is apparently due to pumpkins being damaged in previous exhibitions held elsewhere and the art is fragile.
The pumpkins first appeared in some of Kusama’s drawings from the late 1940s and has regularly shown up in her paintings, sculptures, drawings and installations. Her first pumpkin mirrored room was staged in 1991 and later at the 1993 Venice Biennale. The concept of this room is for viewers to be transported into a space which recalls fairytales and fantasy.
Love Forever is a trippy feast for your eyes, allowing up to two viewers to look through small peepholes into this room. Looking inside, you can see yourself in a mirror directly opposite as well as the other viewer, making it feel quite voyeuristic. Kusama was experimenting with new technology when she created this room, which features dazzling lights, patterns and colours which change every few seconds. Her 1966 exhibition featured this work and she distributed buttons with her 'Love Forever' message printed on them. For her, this work stood for civil rights, sexual liberation, and the anti-war movement in the 1960s.
The Souls of Millions of Light Years Away takes you into a world of lights and mirrors resembling a galaxy. Hundreds of LED lights flicker and sparkle while you are inside activating the environment and becoming immersed into the infinite space. It is absolutely breathtaking to experience! I just wish that you could have longer than the allocated 30 seconds to experience it and really take it in.
Phalli’s Field arose from Kusama wanting a new way to create a hallucinatory scene of phallic-like shapes covered in red polka dots. Up until the point this room was created, Kusama had spent much of her time between 1962 and 1964 sewing thousands of stuffed fabric tubes and affixing them to furniture and other objects to create her sculptures; however, this became physically and mentally tiring. Her breakthrough moment came when she began to use mirrors to achieve the repetitive effect she envisioned, transcending her physical limitations, and making it an immersive experience for viewers.
Aftermath of Obliteration of Eternity is another mesmerizing world comprised of flickering gold lanterns that seem to go on forever into black infinite space. Kusama's room is a reflection on the experience of death and potential afterlife, recalling the Japanese tradition of toro nagashi, a ceremony which sees paper lanterns float down a river to guide ancestral spirits back to the resting places on the final night of the summer Obon Festival.
Dots Obsession – Love Transformed Into Dots has you enter a large gallery room which has a rosy glow from the large pink polka-dotted balloons hanging from the ceiling and placed around the floor. Near the back of the room, you can enter a room inside one of the balloons, feeling a bit like you are entering a fuschia fairy-tale world. On the other end of the room, you get the opposite experience by peering into a small hole into a dazzling pink infinity mirror room.
The Obliteration Room is the final room of the exhibit. This room invites you to participate in completing the work. Upon entering the stark white room, set up to look like an everyday home with everyday objects, you are handed a sheet of coloured dot stickers and invited to place them anywhere in the room and on objects. I would love to see what this room looks like when the exhibition closes! Kusama's concept of obliteration is to find and create new expression on this white space as the coloured dots invite each visitor to participate on a journey to infinity one dot at a time.